start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More equipment

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for 3 db Titel K 301 Hoffmeister K 301 Hoffmeister Terzett D-Dur - Partitur_Page_2 K 301 Hoffmeister Terzett D-Dur - Kontrabass 3_Page_5 Titel K 301 Hoffmeister 1/13 Franz Anton Hoffmeister: Terzett D-Dur „Hen, the cuckoo, and the donkey“ Even if the original was written for three flutes: Margaret Hafner has made this funny music playable for 3 double basses. And even if the original instruments might be able to play the music smoother - three double basses have at least optically the fun factor on their side! SHOP

memories Noten-Memoris etudes concertos für den Unterricht start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for the lesson Memory3 4tel C 1 halbe Pause Memory3 1/4 Joachim Goldmann: „The Bass-Notes-Memory“ Playful learning of the bass clef notes. 44 maps of the notes of the bass key system in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. Noten-Memoris KONTAKT Bass-Memo2 4tel A2 4tel A1 Bass-Memo2 1/3 Joachim Goldmann: „The Violin-Notes-Memory“ Playful learning of the violin clef notes. 44 maps of the notes of the violin key system in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. KONTAKT Bass-Memo2 4tel C 1 4tel A1 Bass-Memo2 1/6 Joachim Goldmann: „The Violin+Bass-Notes-Memory“ Playful learning of the violin and bass clef notes. In each case 44 maps of the notes of both key systems in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. KONTAKT U101Simandl30Etuden U 101 Simandl 30 Etuden-2_Seite_4 U 101 Simandl 30 Etuden_Seite_5 U101Simandl30Etuden 1/3 Franz Simandl: „30 Etudes" These 30 Etuden of Simandl belong certainly to the obligation literature of each student. In addition, for the finished trained bassists this Etudes offer again and again the raw material for the practice of his existence as musician: They illustrate musically and rhythmically exactly the material, which one meets again and again as practising bassist. This revised expenditure was supplemented by the publisher with different preparings to each individual Etude, in which the rhythmic-thematic material of the Etudes can be trained in particular mostly on basis of scales. etudes SHOP P 101 KONZ ETU Kb Solo_Seite_1 P 101 KONZ ETU Pno Solostimmung_Seite_02 P 101 KONZ ETU Kb Solo_Seite_2 P 101 KONZ ETU Kb Solo_Seite_1 1/3 Franz Simandl: "Konzert-Etüde Nr. 2" From the Double Bass Method No. 9. The accompaniment has been written completely new, including a prelude and a few intermezzos without solo bass. Consequently, the whole piece gains more ”concert" character. SHOP P 102 Lied Kb_Seite_1 P 102 Lied Piano H-Dur_Seite_2 P 102 Lied Kb_Seite_2 P 102 Lied Kb_Seite_1 1/3 A. Wiebecke-Gottstein: "Lied (Etüde)" Beginning with arpeggios on the A string the main difficulty of this simple romantic melody lies in mastering the registers where the thumb position begins. Furthermore, the player can also practice forming melody and tone. concertos SHOP S 104 1tes Dittersdorf Konzert Original_Seite_01 S 104 1tes Dittersdorf Konzert Original_Seite_28 S 104 1tes Dittersdorf Konzert Original_Seite_42 S 104 1tes Dittersdorf Konzert Original_Seite_01 1/3 K. D. von Dittersdorf: “Concerto in Es” (score) This is an arrangement in score form of the original voices of the standard concerto which is mostly confessed as concerto in E major and published in this publishing company as concerto No. 1. The voices are taken over with all evident mistakes 1 to 1 from the original and allow so many conclusions for own interpretation regardless of the publishing after which one plays. Evident mistakes or contradictions which strike mostly only in the confrontation of the single voices are specially emphasised. SHOP Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 Vanhal Kb-Konzert - Kontrabass in Solostimmung-02 Vanhal Kb-Konzert - Klavierauszug in C-Dur-24 Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 1/10 J. B. Vanhal: "Concerto for double bass und orchestra D-Major" One of the standard works of the double bass literature. The double bass voice is of course in C major key, the piano score is very simply held and exist both in D major key and C major key for solo or orchestral tuning. SHOP Titelseite Dittersdorf E-Dur Kb+Pno - Solo-Kontrabass-004 Dittersdorf E-Dur Kb+Pno Orchesterstimmung - Klavier-024 Titelseite 1/10 K. D. von Dittersdorf: Concerto E Major for Contra Bass The standard test play concert of the double-bass players (no beginning pro goes past at this!) in unabridged version and under retention of the established key in sounding E major. Attached piano accompaniments in E major and in D major key. The orchestra part is available on loan (see under double bass concerts). SHOP Titelseite Dittersdorf A-Dur Kb+Pno - Solo Kontrabass-004 Dittersdorf A-Dur Kb+Pno Orchesterstimmung - Piano-022 Titelseite 1/10 K. D. von Dittersdorf: Concerto A-Major for Double Bass A further concerto by the composer of the standard concerto for double bass. This one can make in this slightly shortened version absolutely the rank disputable to him, because it lies simply better and puts outside more the chanty qualities of the double bass by use of the higher positions. Of course there are also for this concerto two piano voices for the different double bass tunes. SHOP P 114 Piano_Seite_01 P 114 Solo-Kb_Seite_04 P 114 Piano_Seite_41 P 114 Piano_Seite_01 1/7 Th. A. Findeisen: Concerto for Double Bass and Orchestra No 1 Op. 15 Long time any more available and wrongfully nearly forgotten, now this concert is there again to manage to grab his lawful place beside the concerts of Bottesini and Koussewitzky. It is a late-romantic music with relatively big orchestra occupation what mostly brings problems with deep solo instruments. Here, nevertheless, the instrumentation is handled very sensitively. And although the first mouvement is in minor key, the concert has all together a positive, happy mood. In particular the third mouvement headlined with the unusual tempo name "lustig" (= "jocularly") is full of irony and will surely bring a good mood to the listeners. SHOP Carnevalsscenen Piano_Seite_01 Carnevalsscenen Solo-Kb_Seite_04 Carnevalsscenen Piano_Seite_07 Carnevalsscenen Piano_Seite_01 1/7 Th. A. Findeisen: „Carnevalsscenen“ op. 12 for Double Bass and Orchestra The period of creation of the "Carnevalsscenen" Op. 12 is given at the end of the original handwritten score with " 3rd - 7th August ". This concert piece for doublebass and orchestra which takes about 10-minutes (with cadenza) is subtitled with " meeting, greeting and train of the masks " and Findeisen headlines in the score only the Allegro con brio part as " train of the masks ". The piece begins with a slow introduction what corresponds probably to the "meeting". Unfortunately, no cadenza of Findeisen is enclosed to the score, so that the editor has made an own one from the material of the solo voice and he allows to communicate the greeting (soloists) with the gathering (orchestra) at the end of the cadenza a little bit, before it comes then cheerfully buoyantly to the move. SHOP Findeisen Konzert 2 Titel Findeisen-Konzert 2 Kb Findeisen-Konzert 2 Piano Findeisen Konzert 2 Titel 1/3 Theodor Albin Findeisen: „Concerto No. 2 for Double bass and Orchestra“ Op. 25 About the second concerto for double bass and orchestra by Th. A. Findeisen is even less known than about the first. It exists also only the piano version witch is published by the PRObass publishing house. It is dedicated to Kurt Barth, who was musical director in Zwickau, Germany. The piano part is marked by the words "in one mouvement". However it can also be regarded as several movements, where the different parts are put together without break. It begins with a majestic Allegro with the remark "fresh and rhapsodic," which opens in an andante molto where the solo bass can prove his singing skills. Then follows an Allegro leggiero witch comes back to the majestic opening theme. It comes to an end with a virtuosic Molto Allegro quasi presto, that functions as a final stretta movement witch leads again to the exploding majestic opening theme of the beginning. The piano reduction has been re-orchestrated for a small orchestra by Daniel Chiva Sanz. The orchestral material is available on loan (see Double Bass Concertos). SHOP

A. Wiebecke-Gottstein: "Flea Market of Dreams" Please inquire about the rental conditions per E-mail a or the contact form ! Trödelmarkt der Träume_Titel J 104 Ouvertüre Piano-Score_Seite_02 klein J 104 Finale Piano-Score_Seite_02 klein Trödelmarkt der Träume_Titel 1/15 Order number J 104 - only on loan - please contact the publisher This music based on texts from the book of the same name "Trödelmarkt der Träume - Midnight Songs and Quiet Ballads" by Michael Ende was originally created for a puppet theater. It can be performed with one or more singers and with different instruments. With one exception, the main instrument is the piano. In addition, there is usually a double bass and a melody instrument for which parts in C, Bb and Eb are available. Some songs are also accompanied by sheet music for guitar; additional drums would be desirable. Most of the songs are thoroughly composed, in some places swinging improvisation is expected from the instrumentalists, which is indicated by the chord notation common in jazz. Some songs are sung throughout, some even just spoken, some have both sung and spoken parts. The songs can be performed in concert. But it becomes more attractive when the content of the songs is played by people and / or puppets. For this purpose, a framework should be invented, e.g. B. a large suitcase from which props can be taken that lead to the next song, or a stage on which a flea market or the lumber room of an antique shop can be seen. There should be no limits to your imagination. The order of the individual songs is also not fixed. Only the framework of an overture and a finale is given. Both are based on the text “Der Taschenspieler” and they therefore use the same musical material. They frame the following 12 songs: "The paper tragedy", "The ballad of the tightrope walker Felix Fly Ax", "The helmet", "The ballad of the wondrous cook", "An immoral morality", "The eternal hero song", "The invisible one "," The Lady with the Puppet "," Little Spook "," The Dream of Flying "," The Ballad of the Blind Guiding the Blind "and" The Ugly Girl ". All in all, the “flea market of dreams” contains around 60 minutes of pure music, and if staged accordingly, a full-length performance can be put on from it.

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More db-concertos The pieces with piano accompaniment are always included with a version in the sounding key for the double bass in orchestral tuning and a transposed version to accompany the double bass in solo tuning. You can rent the orchestral material for the offered concertos here . S 104 1tes Dittersdorf Konzert Original_Seite_01 S 104 1tes Dittersdorf Konzert Original_Seite_28 S 104 1tes Dittersdorf Konzert Original_Seite_42 S 104 1tes Dittersdorf Konzert Original_Seite_01 1/3 K. D. von Dittersdorf: “Concerto in Es” (score) This is an arrangement in score form of the original voices of the standard concerto which is mostly confessed as concerto in E major and published in this publishing company as concerto No. 1. The voices are taken over with all evident mistakes 1 to 1 from the original and allow so many conclusions for own interpretation regardless of the publishing after which one plays. Evident mistakes or contradictions which strike mostly only in the confrontation of the single voices are specially emphasised. SHOP Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 Vanhal Kb-Konzert - Kontrabass in Solostimmung-02 Vanhal Kb-Konzert - Klavierauszug in C-Dur-24 Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 1/10 J. B. Vanhal: "Concerto for double bass und orchestra D-Major" One of the standard works of the double bass literature. The double bass voice is of course in C major key, the piano score is very simply held and exist both in D major key and C major key for solo or orchestral tuning. SHOP Titelseite Dittersdorf E-Dur Kb+Pno - Solo-Kontrabass-004 Dittersdorf E-Dur Kb+Pno Orchesterstimmung - Klavier-024 Titelseite 1/10 K. D. von Dittersdorf: Concerto E Major for Contra Bass The standard test play concert of the double-bass players (no beginning pro goes past at this!) in unabridged version and under retention of the established key in sounding E major. Attached piano accompaniments in E major and in D major key. The orchestra part is available on loan (see under double bass concerts). SHOP Titelseite Dittersdorf A-Dur Kb+Pno - Solo Kontrabass-004 Dittersdorf A-Dur Kb+Pno Orchesterstimmung - Piano-022 Titelseite 1/10 K. D. von Dittersdorf: Concerto A-Major for Double Bass A further concerto by the composer of the standard concerto for double bass. This one can make in this slightly shortened version absolutely the rank disputable to him, because it lies simply better and puts outside more the chanty qualities of the double bass by use of the higher positions. Of course there are also for this concerto two piano voices for the different double bass tunes. SHOP P 114 Piano_Seite_01 P 114 Solo-Kb_Seite_04 P 114 Piano_Seite_41 P 114 Piano_Seite_01 1/7 Th. A. Findeisen: Concerto for Double Bass and Orchestra No 1 Op. 15 Long time any more available and wrongfully nearly forgotten, now this concert is there again to manage to grab his lawful place beside the concerts of Bottesini and Koussewitzky. It is a late-romantic music with relatively big orchestra occupation what mostly brings problems with deep solo instruments. Here, nevertheless, the instrumentation is handled very sensitively. And although the first mouvement is in minor key, the concert has all together a positive, happy mood. In particular the third mouvement headlined with the unusual tempo name "lustig" (= "jocularly") is full of irony and will surely bring a good mood to the listeners. SHOP Carnevalsscenen Piano_Seite_01 Carnevalsscenen Solo-Kb_Seite_04 Carnevalsscenen Piano_Seite_07 Carnevalsscenen Piano_Seite_01 1/7 Th. A. Findeisen: „Carnevalsscenen“ op. 12 for Double Bass and Orchestra The period of creation of the "Carnevalsscenen" Op. 12 is given at the end of the original handwritten score with " 3rd - 7th August ". This concert piece for doublebass and orchestra which takes about 10-minutes (with cadenza) is subtitled with " meeting, greeting and train of the masks " and Findeisen headlines in the score only the Allegro con brio part as " train of the masks ". The piece begins with a slow introduction what corresponds probably to the "meeting". Unfortunately, no cadenza of Findeisen is enclosed to the score, so that the editor has made an own one from the material of the solo voice and he allows to communicate the greeting (soloists) with the gathering (orchestra) at the end of the cadenza a little bit, before it comes then cheerfully buoyantly to the move. SHOP Findeisen Konzert 2 Titel Findeisen-Konzert 2 Kb Findeisen-Konzert 2 Piano Findeisen Konzert 2 Titel 1/3 Theodor Albin Findeisen: „Concerto No. 2 for Double bass and Orchestra“ Op. 25 About the second concerto for double bass and orchestra by Th. A. Findeisen is even less known than about the first. It exists also only the piano version witch is published by the PRObass publishing house. It is dedicated to Kurt Barth, who was musical director in Zwickau, Germany. The piano part is marked by the words "in one mouvement". However it can also be regarded as several movements, where the different parts are put together without break. It begins with a majestic Allegro with the remark "fresh and rhapsodic," which opens in an andante molto where the solo bass can prove his singing skills. Then follows an Allegro leggiero witch comes back to the majestic opening theme. It comes to an end with a virtuosic Molto Allegro quasi presto, that functions as a final stretta movement witch leads again to the exploding majestic opening theme of the beginning. The piano reduction has been re-orchestrated for a small orchestra by Daniel Chiva Sanz. The orchestral material is available on loan (see Double Bass Concertos). SHOP

top 4 Kb 1 4 Kb 2 4 Kb 3 4 Kb 4 4 Kb 5 4 Kb 6 4 Kb 7 4 Kb 8 4 Kb 9 4 Kb 10 4 Kb 11 4 Kb 12 start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for 4 db K 401 Basspourri Partitur_Seite_01 K 401 Basspourri - Partitur_Page_2 K 401 Basspourri - Kontrabass 4_Page_2 K 401 Basspourri Partitur_Seite_01 1/6 Andreas Wiebecke-Gottstein: "Basspourri" A potpourri of different melodies of the composer, which are rather jazzy. The first voice is sometimes very high and fast, the other three voices can be played by any advanced bassist. SHOP K 402 Hessenberg Partitur_Seite_01 K 402 Hessenberg - Partitur_Page_2 K 402 Hessenberg - Partitur_Page_4 K 402 Hessenberg Partitur_Seite_01 1/3 Kurt Hessenberg: „Introduktion und Rondo“ op. 120 This about 7 minutes durable double bass quartet is the only work of the Frankfurt composer which devotes itself to the solo double bass. Composed in 1983, it became performed for the first time in 1984 by students of the college for music in Frankfurt a. M. (Germany). Sure it is one of the most difficult pieces of the double bass literature generally. It demands of all 4 musicians the biggest virtuosity. The music itself sticks to a freely treated tonality. The composer even in addition: " „ Of course I try to compose an autonomously music, however, I write the word with small letters". (In: Kurt Hessenberg - contributions to life and work) Who dares? SHOP K 403 Entertainer Partitur_Seite_1 K 403 Entertainer Partitur_Seite_2 K 403 Entertainer Partitur_Seite_1 1/2 Scott Joplin: "The Entertainer" The famous ragtime in a version for 4 double basses. The first and second double-bass almost always play in the treble clef, during double-bass 3 and 4 give the necessary ground. SHOP K 404 5 Tangos Partitur_Seite_01 K 404 5 Tangos Partitur_Seite_02 K 404 5 Tangos Partitur_Seite_10 K 404 5 Tangos Partitur_Seite_01 1/6 Astor Piazzolla: „Tango Basso“ Heartbreakingly beautiful songs. In these songs there aren´t asked great virtuosi with fast fingers but the more expressive singers on their instruments. Most of the 5 pieces aren't very demandingly in technical sence but even more in musical sence. SHOP K 405 Partitur_Seite_1 K 405 Partitur_Seite_3 K 405 Partitur_Seite_1 1/2 Andreas Wiebecke-Gottstein: "Geburtstags-Ständchen" This piece was written for the 50´s anniversary of Prof. Günter Klaus. The song "Happy Birthday to you" is initiated by a citation from the double bass concerto of Dittersdorf, before it sounds walzlike and in major and minor key. Then it is interrupted by "Hoch soll er leben" ("high he should live") and ends with festive Choral character. The whole lasts just three minutes and is held so that it can be played by the professional double bass player without bigger preparation. This little song is the opportunity to hand a musical bouquet to a colleague once a year. It is available in arrangements for 2, 4, 5, 6 and 8 double basses. SHOP K 406 Kleine Bassmusik Partitur_Seite_1 K 406 Kleine Bassmusik Partitur_Seite_2 K 406 Kleine Bassmusik Partitur_Seite_1 1/2 Andreas Wiebecke-Gottstein: „A Little Bassmusic“ A not quite seriously meant collage of two famous melodies of W. A. Mozart and Joseph Haydn. The first double bass player has technically the most difficult part. But he has also an easy job in accompanying the others, too So everybody may play the leading role for some time without getting technically too difficult for the basses 3 and 4. Duration: approx. 6 minutes. SHOP Quartettsuite K 407 1ter Satz K 407 4ter Satz Quartettsuite 1/5 Th. A. Findeisen: „Quartettsuite für 4 Celli od. 4 Kontrabässe“ This, finally, again available(obtainable) work is a highlight in musicallity, but also in virtuosity. Findeisen is here unusual kontrapunktal polyphonic without denying his romantic roots. The first mouvement (Adagio) is a serious, almost quite baroque seeming meditation. The following menuet is cheerful and is followed by an again serious and strictly polyphonic held mouvement (andante moderato) in which the first bass must master extremely high positions. The last mouvement (humoreske) however is witty and elegant again. SHOP Libertango 4 Kb Titelseite K 408 Libertango Partitur_Seite_03 K 408 Libertango Bass 4_Seite_2 Libertango 4 Kb Titelseite 1/6 Astor Piazzolla: „Libertango“ This is certainly one of the most famous tangos by Piazzolla, here in an arrangement for 4 double basses of the Argentinean bassist Andrés Martin, who edited this piece as a duo for double bass and piano, bass and harp and double bass and guitar. The latter version can be admired in an impressive video on YouTube on the Internet. The note sheets of these versions are all available here at the PRObass music publisher. SHOP K 409 Titel K 409 La Cumparsita Partitur Bsp1 K 409 La Cumparsita Kb 4 K 409 Titel 1/7 G. H. Matos Rodriguez: „La Cumparsita“ for 4 db This tango, which is considered one of the original tangos - the tango of all tangos ("el tango de los tangos"), was composed in 1917 by the Uruguayan youth Rodriguez as a march (la cumparsita, Spanish = "small street parade"), but was reworked into a tango in the same year by the Argentine tango musician Roberto Firpo. The present arrangement for 4 double basses is designed in such a way that the first double bass plays in the high register throughout and the voice becomes lower and lower as the bass numbers descend. The fourth double bass is then notated in bass clef throughout. SHOP A 402 On One for All_Page_1 A 402 On One for All_Page_2 A 402 On One for All_Page_16 A 402 On One for All_Page_1 1/5 Andreas Bennetzen: “On One for All” Originally written as a double bass orchestra piece On One for All was premiered in Odense, for Bassissimo 2005. "I was pretty new at composing back then", the danish composer says, "but it came out ok after all." It has an improvisation part and some simple bass percussion. SHOP A 401 Cumbassia Score Seite 1 A 401 Cumbassia Score_Page_2 A 401 Cumbassia Double Bass 4_Page_3 A 401 Cumbassia Score Seite 1 1/12 Andreas Bennetzen: “Cumbassia” "This is the first time I have tried to make rewrite one of my Andy Benz pieces for double bass quartet. The music I make under the alias Andy Benz originates from live-looping. That is the layering of musical loops live. Sort of like a one-man bass band. The music is inspired by traditional Cumbia from Colombia and its electronic brother digital cumbia. Difficulty: Medium easy SHOP K 508 Tango Partitur_Seite_1 K 508 Tango Partitur_Seite_2 K 508 Tango Kb 5_Seite_2 K 508 Tango Partitur_Seite_1 1/7 Mike Curtis: „Tango La Invitatión“ The original from Mike Curtis is written for 4 wood players plus two percussion players. The editor reworked the voices of the woods for 4 double basses and wrote an own voice for a fifth double bass, in which the double bass is used purely percussiv. By omitting the fifth double bass, one can play the piece also still as quartett. After a short introduction the first tango theme is presented. An interlude leads up to a second theme in the 6/4-measure, which is then repeated with bluesy company, so that 4/4 and 6/4-measure overlay. A cadence-like section follows which leads up to the final tango part. SHOP

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for string quintett (2 vle, vla, vcl + db) Unless otherwise stated, the bass part is always noteated in orchestral tuning. G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_01 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_02 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_41 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_01 1/10 John Dowland: "9 mouvements out of " Old music for string player's ensemble (Vle 1, Vle 2, Vla, Vcl and DB). An enrichment for every string chamber music concert. The bass is notated one octave higher, so that it sounds in the original tune and is partly rather demanding for the bassist. SHOP G 102 Drei Ständchen Partitur_Seite_01 G 102 Drei Ständchen Partitur_Seite_02 G 102 Drei Ständchen Partitur_Seite_08 G 102 Drei Ständchen Partitur_Seite_01 1/4 Andreas Wiebecke-Gottstein: "Drei kleine Ständchen" Three short character plays. Although row technology and "newer" musical speech this music orientates itself in romantic tradition, plays quite consciously with catchy rhythmics and traditional melody guidance and discloses to the listener, hence, relatively easily. SHOP

Rental material for double bass concerts Please inquire about the rental conditions per E-mail or the contact form ! JB Vanhal: "Concerto for double bass and orchestra in D major" Order no. P 101 KD von Dittersdorf: Double Bass Concerto in E major Order no. P 102 KD von Dittersdorf: Double Bass Concerto in A major Order no. P 103 Th. A. Findeisen: Concerto for double bass and orchestra No. 1 op.15 Order no. S 105 Th. A. Findeisen: "Carneval Scenes" op. 12 for double bass and orchestra Order no. S 106 Th. A. Findeisen: "Concerto No. 2 for double bass and orchestra" op. 25 Order no. S 107

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for diverse instruments + db Unless otherwise stated, the bass part is always noteated in orchestral tuning. D 101 Abeca Quintett Partitur_Seite_01 D 101 Abeca Quintett Klarinette_Seite_2 D 101 Abeca Quintett Partitur_Seite_03 D 101 Abeca Quintett Partitur_Seite_01 1/7 A. Wiebecke-Gottstein: „Abeca“ for Quintett This about 4 minutes short piece for clarinet in B, trombone, guitar, double bass and drums was composed in February 2011 in Sweden. The title refers to its three-part form, whose first part is in the end repeated (ABCA). Part A is a lively dance based on an 3+3+2 eighth rhythm. Part B is a lyric, nearly already romantic waltz and part C is a slowly beginning Mazurka, which leads back again to the first part. The musical material is absolutely harmonious and tonal, even if the harmonics are not functionally used. From this piece there is also a version for orchestra (only for loan) SHOP Purcell-Bäumchen Titel Purcell-Bäumchen Partitur_Seite_02 Purcell-Bäumchen Partitur_Seite_32 Purcell-Bäumchen Titel 1/7 A. Wiebecke-Gottstein: „Purcell-Bäumchen“ for Quintett This is a collection of 6 pieces, which are based in each case on a „ground“ by Hernry Purcell. These grounds here are versatile stylistic processed. With guitar, (jazz-)double bass and drums associate to two main voices, which are present in each case in C, Bb and Eb-transpositions. SHOP

impressum PRObass Musikverlag Andreas Wiebecke-Gottstein Dorfstrasse 42 17039 Wulkenzin OT Neuendorf Germany probass@probass.de www.probass.de VAT ID no.: DE190418396

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More note cheets for orchestra O 102 Ave Maria_Seite_01 O 102 Ave Maria_Seite_03 O 102 Ave Maria_Seite_01 1/2 Bach / Gounod: „Ave Maria“ (Orch) A detailed orchestra treatment of the known song of Gounod which he wrote to the first Präludium by Bach. The smallest possible occupation is here 2 violins, cello, contrabass and piano or harp. Then it can be increased with an additional viola, woods, horns, kettledrum and percussion. The following voices are delivered: 1 x flute, 1 x oboe, 1 x clarinet in B, 1 x bassoon, 2 x horn 1 + 2 in fa, 1 x kettledrums, 1 x percussion, 8 x 1st violin, 6 x 2nd violin, 4 x viola, 2 x cello, 1 x double bass and 1 x piano or harp. Besides, the Präludium by Bach sounds completely from piano (or harp), the original melody of Gounod lies completely in the 1st violin. New written voices play violin 2, violoncello and double bass, all other one are doublings. SHOP O 104 Largo Partitur_Seite_01 O 104 Largo Partitur_Seite_02 O 104 Largo Partitur_Seite_15 O 104 Largo Partitur_Seite_01 1/4 G. F. Händel: „Largo“ (Orch) This is the aria "Ombra may fù" from the opera "Xerxes" (Serse) by Handel, a love song of the king of Persia, Xerxes, to a tree. It is one of Handel's most famous melodies and often simply called as "Handel's Largo". This is an orchestral version in the instrumentation of August Reinhard (1831-1912, German composer and author of a harmonium-school). The material exists of two flutes, two oboes, two clarinets, two bassoons, two horns, three trombones, a harp, violins 1 and 2, viola, cello and double bass. SHOP

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for harp + db Unless otherwise stated, the bass part is always noteated in orchestral tuning. H 101 Libertango Harfe_Seite_01 H 101 Libertango Kb_Seite_2 H 101 Libertango Harfe_Seite_03 H 101 Libertango Harfe_Seite_01 1/3 Astor Piazzolla: „Libertango“ (hrp+db) This is surely one of the most well-known tangos of Piazzolla, here in an arrangement for double bass and guitar of the Argentine bassist Andrés Martin, who worked on this piece also for double bass and harp as well as for double bass and piano. One can admire this version with guitar in an impressive video on YouTube in the Internet, in which Andrés Martin himself plays the double bass. The note sheets of the other two versions are likewise available here in the PRObass Music publishing house. SHOP