search results

memories Noten-Memoris etudes concertos für den Unterricht start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for the lesson Memory3 4tel C 1 halbe Pause Memory3 1/4 Joachim Goldmann: „The Bass-Notes-Memory“ Playful learning of the bass clef notes. 44 maps of the notes of the bass key system in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. Noten-Memoris KONTAKT Bass-Memo2 4tel A2 4tel A1 Bass-Memo2 1/3 Joachim Goldmann: „The Violin-Notes-Memory“ Playful learning of the violin clef notes. 44 maps of the notes of the violin key system in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. KONTAKT Bass-Memo2 4tel C 1 4tel A1 Bass-Memo2 1/6 Joachim Goldmann: „The Violin+Bass-Notes-Memory“ Playful learning of the violin and bass clef notes. In each case 44 maps of the notes of both key systems in the values of quarter and half notes. To every note the suitable octave must be found under the rules of the Memory play. In addition, there are still identical maps of half and whole breaks. For the smallest pupils is still an additional "Du darftst nochmal"- ("you may again") bonus map. The inventor of these maps, Joachim Goldmann, has tested the play with his own pupils. On this occasion it turned out that for the young beginner the pure musical notation still affects as very play-restraining, so that the note names are assigned to the maps below on the left as letters. Please order the memories diect at PRObass Musikverlag via the contact form. KONTAKT U101Simandl30Etuden U 101 Simandl 30 Etuden-2_Seite_4 U 101 Simandl 30 Etuden_Seite_5 U101Simandl30Etuden 1/3 Franz Simandl: „30 Etudes" These 30 Etuden of Simandl belong certainly to the obligation literature of each student. In addition, for the finished trained bassists this Etudes offer again and again the raw material for the practice of his existence as musician: They illustrate musically and rhythmically exactly the material, which one meets again and again as practising bassist. This revised expenditure was supplemented by the publisher with different preparings to each individual Etude, in which the rhythmic-thematic material of the Etudes can be trained in particular mostly on basis of scales. etudes SHOP P 101 KONZ ETU Kb Solo_Seite_1 P 101 KONZ ETU Pno Solostimmung_Seite_02 P 101 KONZ ETU Kb Solo_Seite_2 P 101 KONZ ETU Kb Solo_Seite_1 1/3 Franz Simandl: "Konzert-Etüde Nr. 2" From the Double Bass Method No. 9. The accompaniment has been written completely new, including a prelude and a few intermezzos without solo bass. Consequently, the whole piece gains more ”concert" character. SHOP P 102 Lied Kb_Seite_1 P 102 Lied Piano H-Dur_Seite_2 P 102 Lied Kb_Seite_2 P 102 Lied Kb_Seite_1 1/3 A. Wiebecke-Gottstein: "Lied (Etüde)" Beginning with arpeggios on the A string the main difficulty of this simple romantic melody lies in mastering the registers where the thumb position begins. Furthermore, the player can also practice forming melody and tone. concertos SHOP S 104 1tes Dittersdorf Konzert Original_Seite_01 S 104 1tes Dittersdorf Konzert Original_Seite_28 S 104 1tes Dittersdorf Konzert Original_Seite_42 S 104 1tes Dittersdorf Konzert Original_Seite_01 1/3 K. D. von Dittersdorf: “Concerto in Es” (score) This is an arrangement in score form of the original voices of the standard concerto which is mostly confessed as concerto in E major and published in this publishing company as concerto No. 1. The voices are taken over with all evident mistakes 1 to 1 from the original and allow so many conclusions for own interpretation regardless of the publishing after which one plays. Evident mistakes or contradictions which strike mostly only in the confrontation of the single voices are specially emphasised. SHOP Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 Vanhal Kb-Konzert - Kontrabass in Solostimmung-02 Vanhal Kb-Konzert - Klavierauszug in C-Dur-24 Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 1/10 J. B. Vanhal: "Concerto for double bass und orchestra D-Major" One of the standard works of the double bass literature. The double bass voice is of course in C major key, the piano score is very simply held and exist both in D major key and C major key for solo or orchestral tuning. SHOP Titelseite Dittersdorf E-Dur Kb+Pno - Solo-Kontrabass-004 Dittersdorf E-Dur Kb+Pno Orchesterstimmung - Klavier-024 Titelseite 1/10 K. D. von Dittersdorf: Concerto E Major for Contra Bass The standard test play concert of the double-bass players (no beginning pro goes past at this!) in unabridged version and under retention of the established key in sounding E major. Attached piano accompaniments in E major and in D major key. The orchestra part is available on loan (see under double bass concerts). SHOP Titelseite Dittersdorf A-Dur Kb+Pno - Solo Kontrabass-004 Dittersdorf A-Dur Kb+Pno Orchesterstimmung - Piano-022 Titelseite 1/10 K. D. von Dittersdorf: Concerto A-Major for Double Bass A further concerto by the composer of the standard concerto for double bass. This one can make in this slightly shortened version absolutely the rank disputable to him, because it lies simply better and puts outside more the chanty qualities of the double bass by use of the higher positions. Of course there are also for this concerto two piano voices for the different double bass tunes. SHOP P 114 Piano_Seite_01 P 114 Solo-Kb_Seite_04 P 114 Piano_Seite_41 P 114 Piano_Seite_01 1/7 Th. A. Findeisen: Concerto for Double Bass and Orchestra No 1 Op. 15 Long time any more available and wrongfully nearly forgotten, now this concert is there again to manage to grab his lawful place beside the concerts of Bottesini and Koussewitzky. It is a late-romantic music with relatively big orchestra occupation what mostly brings problems with deep solo instruments. Here, nevertheless, the instrumentation is handled very sensitively. And although the first mouvement is in minor key, the concert has all together a positive, happy mood. In particular the third mouvement headlined with the unusual tempo name "lustig" (= "jocularly") is full of irony and will surely bring a good mood to the listeners. SHOP Carnevalsscenen Piano_Seite_01 Carnevalsscenen Solo-Kb_Seite_04 Carnevalsscenen Piano_Seite_07 Carnevalsscenen Piano_Seite_01 1/7 Th. A. Findeisen: „Carnevalsscenen“ op. 12 for Double Bass and Orchestra The period of creation of the "Carnevalsscenen" Op. 12 is given at the end of the original handwritten score with " 3rd - 7th August ". This concert piece for doublebass and orchestra which takes about 10-minutes (with cadenza) is subtitled with " meeting, greeting and train of the masks " and Findeisen headlines in the score only the Allegro con brio part as " train of the masks ". The piece begins with a slow introduction what corresponds probably to the "meeting". Unfortunately, no cadenza of Findeisen is enclosed to the score, so that the editor has made an own one from the material of the solo voice and he allows to communicate the greeting (soloists) with the gathering (orchestra) at the end of the cadenza a little bit, before it comes then cheerfully buoyantly to the move. SHOP Findeisen Konzert 2 Titel Findeisen-Konzert 2 Kb Findeisen-Konzert 2 Piano Findeisen Konzert 2 Titel 1/3 Theodor Albin Findeisen: „Concerto No. 2 for Double bass and Orchestra“ Op. 25 About the second concerto for double bass and orchestra by Th. A. Findeisen is even less known than about the first. It exists also only the piano version witch is published by the PRObass publishing house. It is dedicated to Kurt Barth, who was musical director in Zwickau, Germany. The piano part is marked by the words "in one mouvement". However it can also be regarded as several movements, where the different parts are put together without break. It begins with a majestic Allegro with the remark "fresh and rhapsodic," which opens in an andante molto where the solo bass can prove his singing skills. Then follows an Allegro leggiero witch comes back to the majestic opening theme. It comes to an end with a virtuosic Molto Allegro quasi presto, that functions as a final stretta movement witch leads again to the exploding majestic opening theme of the beginning. The piano reduction has been re-orchestrated for a small orchestra by Daniel Chiva Sanz. The orchestral material is available on loan (see Double Bass Concertos). SHOP

A. Wiebecke-Gottstein: "Flea Market of Dreams" Please inquire about the rental conditions per E-mail a or the contact form ! Trödelmarkt der Träume_Titel J 104 Ouvertüre Piano-Score_Seite_02 klein J 104 Finale Piano-Score_Seite_02 klein Trödelmarkt der Träume_Titel 1/15 Order number J 104 - only on loan - please contact the publisher This music based on texts from the book of the same name "Trödelmarkt der Träume - Midnight Songs and Quiet Ballads" by Michael Ende was originally created for a puppet theater. It can be performed with one or more singers and with different instruments. With one exception, the main instrument is the piano. In addition, there is usually a double bass and a melody instrument for which parts in C, Bb and Eb are available. Some songs are also accompanied by sheet music for guitar; additional drums would be desirable. Most of the songs are thoroughly composed, in some places swinging improvisation is expected from the instrumentalists, which is indicated by the chord notation common in jazz. Some songs are sung throughout, some even just spoken, some have both sung and spoken parts. The songs can be performed in concert. But it becomes more attractive when the content of the songs is played by people and / or puppets. For this purpose, a framework should be invented, e.g. B. a large suitcase from which props can be taken that lead to the next song, or a stage on which a flea market or the lumber room of an antique shop can be seen. There should be no limits to your imagination. The order of the individual songs is also not fixed. Only the framework of an overture and a finale is given. Both are based on the text “Der Taschenspieler” and they therefore use the same musical material. They frame the following 12 songs: "The paper tragedy", "The ballad of the tightrope walker Felix Fly Ax", "The helmet", "The ballad of the wondrous cook", "An immoral morality", "The eternal hero song", "The invisible one "," The Lady with the Puppet "," Little Spook "," The Dream of Flying "," The Ballad of the Blind Guiding the Blind "and" The Ugly Girl ". All in all, the “flea market of dreams” contains around 60 minutes of pure music, and if staged accordingly, a full-length performance can be put on from it.

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More db-concertos The pieces with piano accompaniment are always included with a version in the sounding key for the double bass in orchestral tuning and a transposed version to accompany the double bass in solo tuning. You can rent the orchestral material for the offered concertos here . S 104 1tes Dittersdorf Konzert Original_Seite_01 S 104 1tes Dittersdorf Konzert Original_Seite_28 S 104 1tes Dittersdorf Konzert Original_Seite_42 S 104 1tes Dittersdorf Konzert Original_Seite_01 1/3 K. D. von Dittersdorf: “Concerto in Es” (score) This is an arrangement in score form of the original voices of the standard concerto which is mostly confessed as concerto in E major and published in this publishing company as concerto No. 1. The voices are taken over with all evident mistakes 1 to 1 from the original and allow so many conclusions for own interpretation regardless of the publishing after which one plays. Evident mistakes or contradictions which strike mostly only in the confrontation of the single voices are specially emphasised. SHOP Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 Vanhal Kb-Konzert - Kontrabass in Solostimmung-02 Vanhal Kb-Konzert - Klavierauszug in C-Dur-24 Vanhal Kb-Konzert - Kontrabass in Solostimmung-01 1/10 J. B. Vanhal: "Concerto for double bass und orchestra D-Major" One of the standard works of the double bass literature. The double bass voice is of course in C major key, the piano score is very simply held and exist both in D major key and C major key for solo or orchestral tuning. SHOP Titelseite Dittersdorf E-Dur Kb+Pno - Solo-Kontrabass-004 Dittersdorf E-Dur Kb+Pno Orchesterstimmung - Klavier-024 Titelseite 1/10 K. D. von Dittersdorf: Concerto E Major for Contra Bass The standard test play concert of the double-bass players (no beginning pro goes past at this!) in unabridged version and under retention of the established key in sounding E major. Attached piano accompaniments in E major and in D major key. The orchestra part is available on loan (see under double bass concerts). SHOP Titelseite Dittersdorf A-Dur Kb+Pno - Solo Kontrabass-004 Dittersdorf A-Dur Kb+Pno Orchesterstimmung - Piano-022 Titelseite 1/10 K. D. von Dittersdorf: Concerto A-Major for Double Bass A further concerto by the composer of the standard concerto for double bass. This one can make in this slightly shortened version absolutely the rank disputable to him, because it lies simply better and puts outside more the chanty qualities of the double bass by use of the higher positions. Of course there are also for this concerto two piano voices for the different double bass tunes. SHOP P 114 Piano_Seite_01 P 114 Solo-Kb_Seite_04 P 114 Piano_Seite_41 P 114 Piano_Seite_01 1/7 Th. A. Findeisen: Concerto for Double Bass and Orchestra No 1 Op. 15 Long time any more available and wrongfully nearly forgotten, now this concert is there again to manage to grab his lawful place beside the concerts of Bottesini and Koussewitzky. It is a late-romantic music with relatively big orchestra occupation what mostly brings problems with deep solo instruments. Here, nevertheless, the instrumentation is handled very sensitively. And although the first mouvement is in minor key, the concert has all together a positive, happy mood. In particular the third mouvement headlined with the unusual tempo name "lustig" (= "jocularly") is full of irony and will surely bring a good mood to the listeners. SHOP Carnevalsscenen Piano_Seite_01 Carnevalsscenen Solo-Kb_Seite_04 Carnevalsscenen Piano_Seite_07 Carnevalsscenen Piano_Seite_01 1/7 Th. A. Findeisen: „Carnevalsscenen“ op. 12 for Double Bass and Orchestra The period of creation of the "Carnevalsscenen" Op. 12 is given at the end of the original handwritten score with " 3rd - 7th August ". This concert piece for doublebass and orchestra which takes about 10-minutes (with cadenza) is subtitled with " meeting, greeting and train of the masks " and Findeisen headlines in the score only the Allegro con brio part as " train of the masks ". The piece begins with a slow introduction what corresponds probably to the "meeting". Unfortunately, no cadenza of Findeisen is enclosed to the score, so that the editor has made an own one from the material of the solo voice and he allows to communicate the greeting (soloists) with the gathering (orchestra) at the end of the cadenza a little bit, before it comes then cheerfully buoyantly to the move. SHOP Findeisen Konzert 2 Titel Findeisen-Konzert 2 Kb Findeisen-Konzert 2 Piano Findeisen Konzert 2 Titel 1/3 Theodor Albin Findeisen: „Concerto No. 2 for Double bass and Orchestra“ Op. 25 About the second concerto for double bass and orchestra by Th. A. Findeisen is even less known than about the first. It exists also only the piano version witch is published by the PRObass publishing house. It is dedicated to Kurt Barth, who was musical director in Zwickau, Germany. The piano part is marked by the words "in one mouvement". However it can also be regarded as several movements, where the different parts are put together without break. It begins with a majestic Allegro with the remark "fresh and rhapsodic," which opens in an andante molto where the solo bass can prove his singing skills. Then follows an Allegro leggiero witch comes back to the majestic opening theme. It comes to an end with a virtuosic Molto Allegro quasi presto, that functions as a final stretta movement witch leads again to the exploding majestic opening theme of the beginning. The piano reduction has been re-orchestrated for a small orchestra by Daniel Chiva Sanz. The orchestral material is available on loan (see Double Bass Concertos). SHOP

top 4 Kb 1 4 Kb 2 4 Kb 3 4 Kb 4 4 Kb 5 4 Kb 6 4 Kb 7 4 Kb 8 4 Kb 9 4 Kb 10 4 Kb 11 4 Kb 12 start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for 4 db K 401 Basspourri Partitur_Seite_01 K 401 Basspourri - Partitur_Page_2 K 401 Basspourri - Kontrabass 4_Page_2 K 401 Basspourri Partitur_Seite_01 1/6 Andreas Wiebecke-Gottstein: "Basspourri" A potpourri of different melodies of the composer, which are rather jazzy. The first voice is sometimes very high and fast, the other three voices can be played by any advanced bassist. SHOP K 402 Hessenberg Partitur_Seite_01 K 402 Hessenberg - Partitur_Page_2 K 402 Hessenberg - Partitur_Page_4 K 402 Hessenberg Partitur_Seite_01 1/3 Kurt Hessenberg: „Introduktion und Rondo“ op. 120 This about 7 minutes durable double bass quartet is the only work of the Frankfurt composer which devotes itself to the solo double bass. Composed in 1983, it became performed for the first time in 1984 by students of the college for music in Frankfurt a. M. (Germany). Sure it is one of the most difficult pieces of the double bass literature generally. It demands of all 4 musicians the biggest virtuosity. The music itself sticks to a freely treated tonality. The composer even in addition: " „ Of course I try to compose an autonomously music, however, I write the word with small letters". (In: Kurt Hessenberg - contributions to life and work) Who dares? SHOP K 403 Entertainer Partitur_Seite_1 K 403 Entertainer Partitur_Seite_2 K 403 Entertainer Partitur_Seite_1 1/2 Scott Joplin: "The Entertainer" The famous ragtime in a version for 4 double basses. The first and second double-bass almost always play in the treble clef, during double-bass 3 and 4 give the necessary ground. SHOP K 404 5 Tangos Partitur_Seite_01 K 404 5 Tangos Partitur_Seite_02 K 404 5 Tangos Partitur_Seite_10 K 404 5 Tangos Partitur_Seite_01 1/6 Astor Piazzolla: „Tango Basso“ Heartbreakingly beautiful songs. In these songs there aren´t asked great virtuosi with fast fingers but the more expressive singers on their instruments. Most of the 5 pieces aren't very demandingly in technical sence but even more in musical sence. SHOP K 405 Partitur_Seite_1 K 405 Partitur_Seite_3 K 405 Partitur_Seite_1 1/2 Andreas Wiebecke-Gottstein: "Geburtstags-Ständchen" This piece was written for the 50´s anniversary of Prof. Günter Klaus. The song "Happy Birthday to you" is initiated by a citation from the double bass concerto of Dittersdorf, before it sounds walzlike and in major and minor key. Then it is interrupted by "Hoch soll er leben" ("high he should live") and ends with festive Choral character. The whole lasts just three minutes and is held so that it can be played by the professional double bass player without bigger preparation. This little song is the opportunity to hand a musical bouquet to a colleague once a year. It is available in arrangements for 2, 4, 5, 6 and 8 double basses. SHOP K 406 Kleine Bassmusik Partitur_Seite_1 K 406 Kleine Bassmusik Partitur_Seite_2 K 406 Kleine Bassmusik Partitur_Seite_1 1/2 Andreas Wiebecke-Gottstein: „A Little Bassmusic“ A not quite seriously meant collage of two famous melodies of W. A. Mozart and Joseph Haydn. The first double bass player has technically the most difficult part. But he has also an easy job in accompanying the others, too So everybody may play the leading role for some time without getting technically too difficult for the basses 3 and 4. Duration: approx. 6 minutes. SHOP Quartettsuite K 407 1ter Satz K 407 4ter Satz Quartettsuite 1/5 Th. A. Findeisen: „Quartettsuite für 4 Celli od. 4 Kontrabässe“ This, finally, again available(obtainable) work is a highlight in musicallity, but also in virtuosity. Findeisen is here unusual kontrapunktal polyphonic without denying his romantic roots. The first mouvement (Adagio) is a serious, almost quite baroque seeming meditation. The following menuet is cheerful and is followed by an again serious and strictly polyphonic held mouvement (andante moderato) in which the first bass must master extremely high positions. The last mouvement (humoreske) however is witty and elegant again. SHOP Libertango 4 Kb Titelseite K 408 Libertango Partitur_Seite_03 K 408 Libertango Bass 4_Seite_2 Libertango 4 Kb Titelseite 1/6 Astor Piazzolla: „Libertango“ This is certainly one of the most famous tangos by Piazzolla, here in an arrangement for 4 double basses of the Argentinean bassist Andrés Martin, who edited this piece as a duo for double bass and piano, bass and harp and double bass and guitar. The latter version can be admired in an impressive video on YouTube on the Internet. The note sheets of these versions are all available here at the PRObass music publisher. SHOP K 409 Titel K 409 La Cumparsita Partitur Bsp1 K 409 La Cumparsita Kb 4 K 409 Titel 1/7 G. H. Matos Rodriguez: „La Cumparsita“ for 4 db This tango, which is considered one of the original tangos - the tango of all tangos ("el tango de los tangos"), was composed in 1917 by the Uruguayan youth Rodriguez as a march (la cumparsita, Spanish = "small street parade"), but was reworked into a tango in the same year by the Argentine tango musician Roberto Firpo. The present arrangement for 4 double basses is designed in such a way that the first double bass plays in the high register throughout and the voice becomes lower and lower as the bass numbers descend. The fourth double bass is then notated in bass clef throughout. SHOP A 402 On One for All_Page_1 A 402 On One for All_Page_2 A 402 On One for All_Page_16 A 402 On One for All_Page_1 1/5 Andreas Bennetzen: “On One for All” Originally written as a double bass orchestra piece On One for All was premiered in Odense, for Bassissimo 2005. "I was pretty new at composing back then", the danish composer says, "but it came out ok after all." It has an improvisation part and some simple bass percussion. SHOP A 401 Cumbassia Score Seite 1 A 401 Cumbassia Score_Page_2 A 401 Cumbassia Double Bass 4_Page_3 A 401 Cumbassia Score Seite 1 1/12 Andreas Bennetzen: “Cumbassia” "This is the first time I have tried to make rewrite one of my Andy Benz pieces for double bass quartet. The music I make under the alias Andy Benz originates from live-looping. That is the layering of musical loops live. Sort of like a one-man bass band. The music is inspired by traditional Cumbia from Colombia and its electronic brother digital cumbia. Difficulty: Medium easy SHOP K 508 Tango Partitur_Seite_1 K 508 Tango Partitur_Seite_2 K 508 Tango Kb 5_Seite_2 K 508 Tango Partitur_Seite_1 1/7 Mike Curtis: „Tango La Invitatión“ The original from Mike Curtis is written for 4 wood players plus two percussion players. The editor reworked the voices of the woods for 4 double basses and wrote an own voice for a fifth double bass, in which the double bass is used purely percussiv. By omitting the fifth double bass, one can play the piece also still as quartett. After a short introduction the first tango theme is presented. An interlude leads up to a second theme in the 6/4-measure, which is then repeated with bluesy company, so that 4/4 and 6/4-measure overlay. A cadence-like section follows which leads up to the final tango part. SHOP

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for string quintett (2 vle, vla, vcl + db) Unless otherwise stated, the bass part is always noteated in orchestral tuning. G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_01 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_02 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_41 G 101 Dowland 9 Sätze aus Lachrimae Partitur_Seite_01 1/10 John Dowland: "9 mouvements out of " Old music for string player's ensemble (Vle 1, Vle 2, Vla, Vcl and DB). An enrichment for every string chamber music concert. The bass is notated one octave higher, so that it sounds in the original tune and is partly rather demanding for the bassist. SHOP G 102 Drei Ständchen Partitur_Seite_01 G 102 Drei Ständchen Partitur_Seite_02 G 102 Drei Ständchen Partitur_Seite_08 G 102 Drei Ständchen Partitur_Seite_01 1/4 Andreas Wiebecke-Gottstein: "Drei kleine Ständchen" Three short character plays. Although row technology and "newer" musical speech this music orientates itself in romantic tradition, plays quite consciously with catchy rhythmics and traditional melody guidance and discloses to the listener, hence, relatively easily. SHOP

Rental material for double bass concerts Please inquire about the rental conditions per E-mail or the contact form ! JB Vanhal: "Concerto for double bass and orchestra in D major" Order no. P 101 KD von Dittersdorf: Double Bass Concerto in E major Order no. P 102 KD von Dittersdorf: Double Bass Concerto in A major Order no. P 103 Th. A. Findeisen: Concerto for double bass and orchestra No. 1 op.15 Order no. S 105 Th. A. Findeisen: "Carneval Scenes" op. 12 for double bass and orchestra Order no. S 106 Th. A. Findeisen: "Concerto No. 2 for double bass and orchestra" op. 25 Order no. S 107

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for diverse instruments + db Unless otherwise stated, the bass part is always noteated in orchestral tuning. D 101 Abeca Quintett Partitur_Seite_01 D 101 Abeca Quintett Klarinette_Seite_2 D 101 Abeca Quintett Partitur_Seite_03 D 101 Abeca Quintett Partitur_Seite_01 1/7 A. Wiebecke-Gottstein: „Abeca“ for Quintett This about 4 minutes short piece for clarinet in B, trombone, guitar, double bass and drums was composed in February 2011 in Sweden. The title refers to its three-part form, whose first part is in the end repeated (ABCA). Part A is a lively dance based on an 3+3+2 eighth rhythm. Part B is a lyric, nearly already romantic waltz and part C is a slowly beginning Mazurka, which leads back again to the first part. The musical material is absolutely harmonious and tonal, even if the harmonics are not functionally used. From this piece there is also a version for orchestra (only for loan) SHOP Purcell-Bäumchen Titel Purcell-Bäumchen Partitur_Seite_02 Purcell-Bäumchen Partitur_Seite_32 Purcell-Bäumchen Titel 1/7 A. Wiebecke-Gottstein: „Purcell-Bäumchen“ for Quintett This is a collection of 6 pieces, which are based in each case on a „ground“ by Hernry Purcell. These grounds here are versatile stylistic processed. With guitar, (jazz-)double bass and drums associate to two main voices, which are present in each case in C, Bb and Eb-transpositions. SHOP

top B 105 Klar + Kb 1 Klar + Kb 2 Klar + Kb 3 Klar + Kb 4 Klar + Kb 5 start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for clarinet + db Unless otherwise stated, the bass part is always noteated in orchestral tuning. B 101 Mexican Duo Suite_Seite_01 B 101 Mexican Duo Suite_Seite_02 B 101 Mexican Duo Suite_Seite_14 B 101 Mexican Duo Suite_Seite_01 1/8 Mike Curtis: „Duo Suite on Mexican Themes“ (clar+db) Six character plays and dances in the Mexican style. Virtuoso but, however, not excessively difficult. SHOP B 102 Sketches of China_Seite_01 B 102 Sketches of China_Seite_03 B 102 Sketches of China_Seite_08 B 102 Sketches of China_Seite_01 1/5 Mike Curtis: „Sketches of China“ (clar+db) After Mike Curtis has proved his folkloric qualities with his Klezmer music (see under violoncello and double bass) and his Mexican suite (see there), he shows with these 4 character plays that he can also make himself musically understood in areas which are geographically much further away. SHOP B 103 Haydn Spass Kb_Seite_1 B 103 Haydn Spass Kb_Seite_2 B 103 Haydn Spass Klar_Seite_2 B 103 Haydn Spass Kb_Seite_1 1/3 A. Wiebecke-Gottstein: „A Little Haydn-Fun“ In his Koconcerts the composer always announces the "symphony with the drum beat" by Haydn for clarinet and double bass without drum. This confuses his colleague because he has the opinion, now the "Little Night Music" by Mozart is played. Then after some verbal arguments they play this piece: The one plays Mozart, the other Haydn. SHOP B 104 7 Duos_Seite_01 B 104 7 Duos_Seite_02 B 104 7 Duos_Seite_14 B 104 7 Duos_Seite_01 1/8 Mike Curtis: „Seven Jazz and Ethnik Duos“ (clar+db) Seven pieces of different character - from blues over quick syncopisc Latin-American rhythms up to Klezmer and Chinese seeming music. Although, nevertheless, from the area of the light music taken, they are intellectual as well as technically from high claim. SHOP B 105 B 105 8 Jazz Duos Heft_Seite_01 B 105 8 Jazz Duos Heft_Seite_04 B 105 8 Jazz Duos Heft_Seite_22 B 105 8 Jazz Duos Heft_Seite_01 1/9 Mike Curtis: „8 Jazz Duos“ (clar+db) Swing, Latin and blues - with these words one can circumscribe these 8 pieces. So entertaining this music may seem to the listener - this music is rather demanding, nevertheless, in every aspect, musical-spiritually as well as musical-technically. "Salamander Strut" is a piece from this collection, which is also available for cello and double bass : SHOP

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for guitar + db Unless otherwise stated, the bass part is always noteated in orchestral tuning. Gi 101 Libertango Guit_Seite_1 Gi 101 Libertango Kb_Seite_2 Gi 101 Libertango Score_Seite_2 Gi 101 Libertango Guit_Seite_1 1/4 Astor Piazzolla: „Libertango“ (guit+db) This is surely one of the most well-known tangos of Piazzolla, here in an arrangement for double bass and guitar of the Argentine bassist Andrés Martin, who worked on this piece also for double bass and harp as well as for double bass and piano. One can admire this version with guitar in an impressive video on YouTube in the Internet, in which Andrés Martin himself plays the double bass. The note sheets of the other two versions are likewise available here in the PRObass Music publishing house. SHOP

top J 105 Jazz 1 Jazz 2 Jazz 3 Jazz 4 Jazz 5 Jazz 6 Jazz 7 Jazz 8 Jazz 9 start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More sheet music for jazz Unless otherwise stated, the bass part is always notated in orchestral tuning. J 101 Ballade bass_Seite_1 J 101 Ballade Piano Score_Seite_3 J 101 Ballade bass_Seite_2 J 101 Ballade bass_Seite_1 1/4 Edie W. Cane: „Ballade for old masters sake“ This piece originated in a time when the composer had the impression, that at the moment the giants of jazz die off from the world. It keeps to the traditional A-B-A form of the jazz, however, the A and B parts are built up complex: After a 2-bar introduction a bluesy theme follows in C major key, then a short, fully notated bridge to a B minor part. After both parts are repeated there is a short improvisation segment about the C major key part, followed by that (this time differently notated) bridge which leads up into the main improsisation part (B part) which can be freely formed. Then the A part (bluesy C major part - bridge - B minor part) comes again and leads to a final Coda. SHOP J 102 Man On The Street Lead in C_Seite_1 J 102 Man On The Street Piano Score_Seite_3 J 102 Man On The Street Bass_Seite_1 J 102 Man On The Street Lead in C_Seite_1 1/4 Edie W. Cane: „Man on the Street“ In this a little bit experimental piece the composer has tried to describe the heights and depths of the unemployed person's existence musically. Completely notated parts and voices face to those with complete improvisations. At the end it is improvised even quite freely. The piece requires a thought-out teamwork within a combo. SHOP J 103 My Blue Flame Lead in C_Seite_1 J 103 My Blue Flame Bass_Seite_3 J 103 My Blue Flame Lead in C_Seite_1 1/2 Edie W. Cane: „My Blue Flame“ (j) A mainstream piece with a melody which does not want to get out of the head any more. It is, so to speak, the original of the versions of the same name for cello and double bass and double bass and piano. SHOP Trödelmarkt der Träume_Titel J 104 Traum Piano_Seite_2 klein J 104 Seiltänzer Piano-Score_Seite_2 klein Trödelmarkt der Träume_Titel 1/15 A. Wiebecke-Gottstein: „The Flea Market Of Dreams“ This music after texts from the book of the same name „flea market of the dreams - night airs and quiet ballads “of Michael Ende was originally developed for a puppet theater. It can be realized with one or more singers and with different instruments. Main instrument is with one exception the piano. In addition usually a double bass and a melody instrument are added, for which lead sheets in C, Bb and Eb are present. In some songs also note sheets for guitar are attached, supplementing drums would be desirable. Most songs are through-composed, in some places swinging improvisation are expected from the instrumentalists. This is indecated by chord notations usual used in the jazz. Some songs are sung throughout, others are even only spoken, some have both sung and spoken parts. The songs can be performed concertant of course. It becomes more delightful however, if the content of the songs is played by humans and/or dolls. But a framework plot should be invented, for example a big travelling case, from where some requisites are taken which lead up to the next song, or a stage, on which a flea market or an antique shop is to be seen. No limits should be set to the fantasy here. Also the sequence of the individual songs is not fixed. Given is simply the framework from an overture and a final. Both is the basis the text „the prestidigitator “and avails themselves from there also of the same musical material. They frame the following 12 songs: „The paper tragedy “, „the ballad of the rope dancer Felix Fliegenbeil “, „the helmet “, „the ballad of the wondrous cook “, „an immoral Moritat “, „the eternal hero song “, „the invisible one “, „the lady with the puppet “, „small spook “, „the dream of flying “, „the ballad of the blind ones, who blind ones lead “and „the ugly girl “. All in all contain „the flea market of the dreams “about 60 minutes pure music. The lyrics are in German language. Order no. J 104: only available on loan J 105 Titel J 105 Bass J 105 Titel 1/2 Edie W. Cane: „Oliog“ This cheerful piece is rather unconventional in its form: There is a 5 bars long theme and a 10 bars long part whose chords are based on the main notes of the theme. The edition contain a voice in C, in Bb, in Eb and one in the bass clef. J 105 SHOP Titel Sunday Lead in C va basso 2nd voice in C Titel Sunday 1/5 Edie W. Cane: „Sunday“ The note sheets of this musical sunday exist of a main voice, "Lead" (in separate notations for C-, Bb-and Eb instruments), and a "Second Voice" (also in separate notations for C-, Bb-and Eb instruments), and a bass. Besides, the main voice is given again as own voice especially for the arco played solo contrabass. The piano is furnished as Piano-Direction with both voices (main voice in own, reduced system, second voice in the upper piano system). SHOP J 107 Kleznacht Partitur_Page_1 J 107 Kleznacht Partitur_Page_3 J 107 Kleznacht Partitur_Page_54 J 107 Kleznacht Partitur_Page_1 1/11 A. Wiebecke-Gottstein: “Kleznacht” for 2 Instr., Guit. and Perc. ad. lib. (parts + score) "Kleznacht" uses melodies from German Christmas carols, but changes them through new rhythmizations and meters and by using scales of "Klezmer" music instead of the original major or minor scales. The music was originally arranged and recorded for nyckelharpa, double bass and guitar, some pieces were accompanied by various percussion instruments. For the present edition of music, an attempt was made to generalize the parts, so that they could also be played on other instruments. The first part is intended for a higher instrument and the second part for a lower instrument. If the range of the instruments used deviates from the notation, the performers themselves must consider sensible transpositions. For the various transposing instruments, both melody parts are available in C, Bb and Eb transpositions. Some pieces have double stops. For monophonic instruments it is recommended to play the lower notes as short suggestions to the upper notes. The percussion voices are only suggestions. They can be played, changed or added as desired. Using the chord sequences notated in the guitar part, further instruments can be added or the guitar can be replaced by another chord instrument. The sheet music is either fully available with all transposed parts and scores, or each individual part is available separately. The score is not for sale separately. SHOP J 108 play bartók - Partitur-01 J 108 play bartók - Partitur-04 J 108 play bartók - Partitur-20 J 108 play bartók - Partitur-01 1/13 Béla Bartók / Andreas Wiebecke-Gottstein: „play bartók“ The present pieces are arrangements of titles from the 44 Duos for 2 Violins composed by Béla Bartók in 1931 as practice pieces, but which have since become established in the concert repertoire. Bartók uses songs and dances from Eastern European countries in them. In 2016 Andreas Wiebecke-Gottstein arranged 12 of the duos for violin and double bass and for violoncello and double bass. Based on the arrangement for violin and double bass is this extended arrangement for nyckelharpa, double bass and guitar, which of course can also be played with other instrument combinations. In these arrangements all pieces are underlaid with chords. This creates an extended harmony in many pieces, especially those in which Bartók uses two keys at the same time, that is strongly reminiscent of jazz harmony. In some cases sections are repeated, sometimes with an exchange of voices. Always, however, an improvisational section is incorporated, based on the underlying chord progressions of the piece in question. SHOP

Terms and conditions / revocation The following general terms of business and terms of delivery count to all orders: §1 delivery and achievements All deliveries and achievements on the basis of online orders made with this internet shop are defeated by the general terms of business performed here. Soaking off and / or complementary arrangements need the explicit approval of the PRObass music publishing house in written form. A valid bill of sale is made by the order of the customer in the PRObass music publishing house and its acceptance by the publishing company. Purchased digital files may only be used by the purchaser and may not be resold. §2 online orders The PRObass music publishing house will work on incoming online orders and dispatch them immediately. Dates of delivery are non-binding, provided that they were agreed not in writing. §3 Transport The customer has to assert objections because of damages in transit immediately compared with the transportation company within the terms intended for it and to inform the music publisher PRObass likewise. §4 invoices and payments Invoices are due immediately and are payable without every deduction, unless divergent methods of payment were agreed. Open invoices are due within 14 days to the payment. From the 30-th day after invoice date the music publisher PRObass is entitled to require interests on arrears at the rate of 3% about the respective minimum lending rate of the German Central Bank. A compensation is allowed only with indisputable or judicially legally to ascertained demands. The customer can assert a retention right only, as far as it is based on the same contractual relationship. Exhibit of net calculations without value added tax with delivery in EU foreign counties are possible only by transmission of a valid sales tax. §5 objections Objections because of scope of supply, material defects, wrong deliveries and amount divergences are to assert in writing prompt, at the latest however, within one week after receipt of the product. With entitled objections the music publisher PRObass will supply later and exchange the product, for the rest, under reservation of the exclusion after his choice, take it back or make a discount for the buyer .If the second spare delivery also falls short in case of the exchange of the product, the right on change or decrease is entitled to the buyer. § 6 purchase object and ownership structures The purchased object remains as property of the music publisher PRObass untill entire payment. During the duration of the retention of title the buyer is entitled to the possession and use of the purchase object, as long as he follows to his obligations from the retention of title and his obligations from the business connection in time. The customer is obliged to give everything within the scope of a legal pursuit from agreed retention of title to necessary information to the PRObass music publishing house. §7 non-decrease of the product Ordered and not taken products or not redeemed debits entitle the music publisher PRObass to the notice of the contract as well as to the authorisation of a compensation claim at the rate of 20% of the net order value and treatment costs at the rate of 12.78 euro plus VAT. A compensation claim comes also to carry if the customer does not withdraw within the legal resignation term from the bill of sale in writing. A bill of sale comes about while sending the on-line order. The customer accepts the TERMS AND CONDITIONS order terms with sending the order. §8 electronic data storage The music publisher PRObass is entitled to raise the personal data necessary within the scope of the business connection of the customer, to store and to process. The passing on of personal data outside of the PRObass music publishing house is not carried out. §9 final regulations The ineffectiveness of single points of these general terms of business does not touch the effectiveness of the remaining regulations. To the place of the ineffective regulation steps a new regulation which comes close as possible in her economic effect to the ineffective regulation. All retail prices are given in EURO including value added tax and can change without previous announcements. Mistake are left with product descriptions and prices. Consumer information according to distance selling regulations When ordering goods by e-mail / telephone / fax or letter, which does not concern your commercial or self-employed activity, please note the following legally required information: 1. our general terms and conditions of delivery apply to shipping within germany. 2. the stated product prices always include the applicable value-added tax. 3. you have the possibility to pay your ordered goods by cash on delivery, prepayment or PayPal (VISA / Mastercard). Pdf-files will be sent by email after receipt of payment. 4. the stated shipping information and shipping costs apply. 5. the contract of sale becomes effective with the sending of the order and the receipt of the goods, our general terms and conditions, delivery conditions as well as consumer information must be accepted before the conclusion of the order process, otherwise an order is not possible. As a consumer you have the possibility to return the ordered goods within 14 days without giving reasons. The period begins at the earliest with receipt of the goods and this instruction. The timely dispatch of the goods is sufficient to meet the deadline. 7. If the goods cannot be sent as a parcel, you can demand the return of the goods within the aforementioned period. The request for return should be made in writing, stating the exact goods ordered, the invoice number and your address. 8. The return or the taking back of the goods shall be at the expense and risk of the buyer. 9. If the goods have deteriorated within the two-week return period or if they can no longer be returned, you are obliged to compensate the value of the goods insofar as you are responsible for the deterioration. The value of the goods is to be reimbursed for the transfer of use or the use of the goods by you as well as for other services up to the time of exercising your right of return. 10. In the event of a return, please return the goods with sufficient postage. Please include the invoice number and your address with the return. Returns with insufficient postage will not be accepted. 11. Please note that there is no right of return for downloads, as the download is not suitable for return due to its nature. 12. You acknowledge that digital products purchased via PRObass Musikverlag may not be resold to third parties and may only be used by the purchaser himself. There shall be no entitlement to compensation in the event of loss of the same. Translated with www.DeepL.com/Translator (free version)

start for the lesson sheet music for db sheet music with db jazz db concertos orchestra Rental equipment for the lesson tac data protection impressum impressum Suchergebnisse More equipment